In the modern Kannada literary tradition, during the period of "Navayuga" (New Era), poetry flowed like a river. Like a fresh breeze in this context, it introduced new experiences, a new mode of expression, and a fresh literary substance, which is why Dalit literature, or in other words, Dalit poetry, cannot be considered wrong. For centuries, a community that had been subjected to inequality, oppression, and injustice, a community that had been distanced from literacy, began to speak through words. As these voices emerged, the pain, humiliation, and helplessness of centuries found expression in the form of literature, and the entire literary world was shaken. This emergence of new experiences was not the first in the world of Saraswati (goddess of learning). During the 12th century's "Basava Revolution," the silent voices began to resonate. However, the ideals that Basava and his followers envisioned for a just society remained unrealized. It was Ambekar, through his efforts, who tried to give tangible form to those ideals. The result of his endeavor to manifest this tangible form was that people who had been living in the darkness of ignorance for centuries, who had been denied light, found the letters that had kept them deprived for so long to be the very letters that led them to liberation. In this way, the Dalit community, having found liberation through letters, touched by the letters' power, began to construct its history culturally in the world of Saraswati, introducing new sentiments and experiences.